Forum Transcripts

Today's Publishing World 3/20/07



Legend:
Questions from the Audience are presented in red.
Answers by the Speaker are in black.
The Moderator's comments are in blue.

Mary Rosenblum

Hello all.

Mary Rosenblum

Welcome to our Tuesday Lunchbox Forum.

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I hope you had a great weekend.

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I went down to the barn to find a new lamb this morning, so spring is proceeding nicely here.

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Since my professional connection guests this month will be Paul Wrigley and Debbie Cross

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who are booksellers and bookstore owners and will talk about how your book goes from

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publisher to bookshelf, I thought it would be worth while to talk about the various types of publishers

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and what they offer to you the writer.

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Twenty years ago, the publishing world was pretty straightforward, but it has been changing rapidly and that pace

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of change is increasing.

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Ten years from now it may have an entirely different form than it does now.

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Now we have a proliferation of options and the now epublishers and now podcasting have widened the field of potential markets.

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The 'traditional' that is 'New York' publishers who put out large numbers of paper books

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either hardcover, mass market, or trade paperback, use the most expensive technology.

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They expend a lot of capital to print the 10,000 or so hardcovers or 30,000 paperbacks that constitute the average first print run.

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Because of the cost of paper, ink, and time, the profit margin on these books is small.

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And because of the reduction in publishers (many small publishers have been absorbed into a very few giants) the bottom line has become more critical

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as the mass of the company has increased. So these publishers are VERY sales conscious.

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They also have the widest distribution, putting books into thousands of chain bookstores nationwide.

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Print on Demand technology is less than a decade old.

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This is technologyh that allows a publisher to print a very small number of books at low cost...perhaps a few hundred.

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Thus the publisher has to expend less capital up front and his/her loss is smaller if the books do not sell well.

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It also permits publishers to keep a book in print longer, since the publisher does not have to store a large inventory and thus

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pay for warehouse space and pay taxes on inventory.

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Small press publishers almost unanimously use POD technology.

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This has also allowed writers to publish their own work very cheaply.

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For a few hundred dollars you can contract with one of the self publishing houses, iUniverse, and the like, to publish your book for you.

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Most of these companies treat the book as if they were a small press publisher...that is they collect the sales price and send you a royalty.

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That royalty is a percentage of the cover price of the book.

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You also have what I call the 'quantity publishers' that publish nearly every book they receive, as long as it's at all readable.

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You don't pay to publish with them, you have a contract, and you receive a royalty on every book sold.

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You also have ebook publishers now, who make books available for download or on CDs for purchase. This has a relative small readership to date, although that may -- or may not -- grow.

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Podcasting is very new. So far, it is nearly entirely a 'free' distribution used more for PR than anything, but it may also catch on now that everybody owns an ipod.

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This is a new take on 'books on tape'.

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It is very simple to produce a podcast at home and distribute from a website. It will be interesting to see how this technology affects the book market.

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So. Right now, the majority of books sold/read are traditional paper print books.

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The issue on all of the alternative methods is one particular choke point... advertising and distribution.

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The average American walks into a Barnes and Noble when he/she wants a new book.

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That IS changing with the advent of the .com bookstores.

janecj333

I can't help but feel nostalgic about books printed with handset type and sold on street corners.

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Well, artisnal cheeses are hot, why not artisnal books?

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Essentially, you should decide on what publisher you want to submit to according to what your writing goal is.

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If your goal is merely to have your book in print, to have it available to people, then by all means either use a self publishing house or publish with one of the quantity publishers

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who does not try and sneak in extra fees. (Many do and they are called scams!)

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If you're going to take that route, be sure to purchase two or three different titles published by this company to check quality.

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Some of these cheap publishers put out books whose pages are literally falling out of the binding

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or whose pages are packed with typos.

charie'

I thought any publisher that wants money FROM you is a scam.

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Not if they tell you up front that they're charging a fee.

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Then they're just a self-publishing house.

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They're scams when they tell you that they're a legitimate publisher and then tell you, by the way, everybody charges for editing now...

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Nothing wrong with a subsidy press as long as they're honest about being a subsidy press.

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If you are looking for a career as, say, a mystery writer, or you want to actually make decent money from your book

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these small self publishing/quantity publishers are not the way to go.

redwagon

My brother is the district manager of all the Barnes and Noble's -for the entire southwest of America. He is losing some customers to .com bookstores, but not enough to hurt Barnes and Noble, -at all. People still love to hold a book in their hand.

Mary Rosenblum

That's quite true, red. Most people still buy their books at the bookstore.

redwagon

...sorry that was southeast

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True everywhere.

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So realize that if you publish with a publisher who sells from the website only, or through that and amazon.com only...

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your sales will be dramatically smaller from the get-go.

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This may well change, but hasn't yet.

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The problem is that right now, if a reader wants a new book, where does he/she go?

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usually to the bookstore to see what's out on the display table

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unless he/she has a specific author in mind.

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Right now we do not have big, central PR locations where readers get 'new book' advice.

janecj333

Vanity presses may not be scams, but they're hardly ethical, imo.

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Why not, jane?

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I have many students who want to publish their mom''s biography or the family history. No publisher is going to put that out...the interst is way too narrow.

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Why should they not pay someone to print them five hundred copies?

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I don't see anything wrong with that.

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What's wrong is when a publisher tells a naive new writer that the book is going to be published, implying that the process

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will be the same as with Random House and then hands that author a bill

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and sells the book only from the website, yielding about ten sales, mostly to family.

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That's unethical.

barbiq

National chains won't take self-published books will they?

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No, they won't.

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To be honest, there's a reason most self published books ARE self published.

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As a rule they are very poor in quality.

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Now that is not always the case.

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But readers to tend to avoid self published books after paying money for a couple and getting burned.

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Now your local bookstore may well stock your self published book on consignment if the owner likes it.

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But you will not be able to distribute it easily to out of area bookstores.

janecj333

The whole idea of vanity press is that the work will somehow find an audience. To imply such only serves the publisher who makes his money from the desperate writer.

Mary Rosenblum

Goodness, Jane! If the publisher says that this book is getting published for a fee, how can a writer be deluded by that publisher? I do have students who KNOW they are the next Stephen KIng and if that

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writer, against all advice, chooses to self publish believing the world will beat a path to his door, how is that the publisher's fault?

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You're confusing legitimate vanity presses with the scam presses that pretend to be regular publishers but really are not.

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And if you have a strong niche market...

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say, a book that will only interest dog trainers...you might be better off publishing it yourself

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and collecting all of the purchase price if you can distribute it.

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But you have to think your distribution through.

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How do you get the word out to readers and how do you get books to them?

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Not many people buy from websites, relatively speaking.

barbiq

What about poetry? Do the same publishing rules apply?

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Poetry is not my area of expertise, barb, but I have to say that it is rife with scams.

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These are the poetry contests where you win, and then they urge you to buy the big, lovely book...

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or it wins some award and is also out on CD read by someone. And you pay more for that.

dim writer

Dog shows or vets?

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Yes...

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You could distribute that kind of niche book to groomers, pet stores, vet office, whatever.

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You'd have to do all the work of course. But you could end up making as much as you might make

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if the book was published by a big company and sold poorly.

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You need to do the numbers.

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How much do you want to make on a book?

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If you're getting royalties, then how many books do you need to sell in order to make that money?

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If you're self publishing, then deduct the cost and figure out how many books you need to sell.

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A friend of mine has published several books of humor that appeal only to goat owners.

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She has been selling them through goat magazines, catalogues, and at shows for years. She's made a decent return with those books.

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Niche market.

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But she is the exception that proves the rule. It takes a LOT of your time and effort to do that.

redwagon

I'm sticking with NY publishers for my novel. How long should I wait for NY, before giving up and trying a different avenue?

Mary Rosenblum

Well, if you'll read my interview with Kat Richardson, it took her 23 rejections to sell her series but it sold to Roc a NY house and it ended up in a bidding war.

unicorn

A friend of mine won a poetry contest and the only way he could collect his winnings is fly to Washington.

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Those poetry contest scams abound.

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If you want attention from critics, which is how you get known in the literary world, you're really going to have to

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publish with NY or with one of the top small presses.

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Critics don't review self published, quantity published, or most small press houses.

barbiq

So, which is better submitting yourself or through an agent

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Mostly, these days, if you're going to submit to the big publishers, you have to have an agent, barb.

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Not true if you're going to submit to Harlequin Sillhouette in Romance.

speckledorf

How can we tell which small presses are better than others? There's so many of them out there.

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Go talk to the owner of a small bookstore.

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Most of them know which publishers are good.

charie'

Once you have self published and it is getting a good response, can you shop it to larger publishers?

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They won't publish that book, charie,unless your numbers are earth shaking! But if your numbers are good, you can use them to get a NY deal on your next book.

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Jeff Vandemeer and Jay Lake have recently jumped from small press to NY that way.

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But you need to sell more than about 3000 books in the first year to interest them.

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So far, the people I've talked to have sold under 50 copies in the first year.

charie'

I think Christopher Paolini started with a small publisher.

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Yeah, but that was a media thing, charie. It was made to happen.

barbiq

What is the normal "press run" from a NY house?

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In the genres, it's usually 10,000 - 12,000 for hardcover and about 35,000 for paperback.

barbiq

And how do you find a Good/Great agent?

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http://www.aar-online.org/index.html Association of Authors' Representative homepage

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Go read their FAQ page.

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They also list contact information for their members who are accepting new authors.

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Always check any agent or publisher on the Preditors and Editors website.

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http://www.anotherealm.com/prededitors/

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They list scam publishers and scam agents.

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Two recent students of mine were paying money to agencies listed in the 'Top Ten Worst' list.

charie'

Sounds like choosing a doctor within an HMO. : -)

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Pretty much!

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But we writers want SO much to get that book published, it's very easy for these scams to prey on that naivety and desire.

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Always always always check everything on Preditors and Editors

redwagon

sounds more like going to a blind dentist

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Nah, only if you pick the wrong one. :-)

janecj333

Most agents will say that to get a great agent, you have to write a great book.

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Yeah, that's ALWAYS rule number one. :-)

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But do realize that just because the first six agents don't want it, doesn't mean number seven won't love it and sell it.

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Even when you write very well, fiction is a subjective universe.

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What one person loves, someone else may not.

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So you make the rounds until you find the one who loves it.

barbiq

Are agent's like lawyers and take a Jfter selling the book

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Of course. They have to eat, too. They get 15% of your take on the book....but that comes AFTER you get paid.

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No money up front.

janecj333

So true, and especially when most agents want only a query letter, and not even a paragraph of the writing itself.

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Yes, they're looking for an idea or approach that grab's em, Jane.

charie'

So if you want to publish with a major house, you have to shop for the agent first.

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Yes.

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YOu're going to need an agent once you get a yes from a NY house because the contract is not comprehensible. :-)

redwagon

How long is the wait time once a book is presented to a publisher? -For finding out if they want your book or not.

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That varies enormously. An agent can nag the editor, so usually less than six weeks if it's agented.

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If you are submitting 'over the transom' to a NY publisher who still takes unagented material, figure a year.

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Small press are much faster...usually under three months.

barbiq

What is the wait time between the Yes and the actual book?

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Normally about two years for NY, barb. Probably a year for a small press, but that varies.

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It can be less for NY, but usually two years for a first book.

barbiq

Is that why most series seem to have such a large gap?

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Yes and it's why a 'slice of sausage' series is not a good idea. :-)

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Readers lose the excitement during that 1 - 2 year wait.

charie'

What is a 'slice of sausage' series?

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When it's one big story simply chopped into segments so that no one book stands alone.

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Think Lord of the Rings.

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Think about starting that series by reading book two....

barbiq

But the LOTR was a single volume first, the publisher split

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Sure. And it was issued together. And it's not a good example of anything really, becuase Tolkien made all kinds of things work that usually don't.

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But when book one comes out and leaves the reader hanging for a two year wait, it's not usually a good thing.

barbiq

So if you do a series you should have more than one ready?

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more than one book ready? It helps, but the publisher will still probably bring them out a year apart.

janecj333

Well, you have to give that series writer some time to finish the next 500 pg. tome.

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Exactly, Jane. LOL

barbiq

Is JK Rowlings an exception with the Potter series?

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Those books stand alone.

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Each book has a dramatic arc that ends with that book. It has a larger, overarching story, but you can read book three first and enjoy it.

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You'll pick up the details of her universe fine.

redwagon

Is there a way to find out what NY publishers are looking for?

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Nope. What is on the bookshelf today was bought two years ago or more.

unicorn

what is involved that it takes two years? Editing/proofing, etc?

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Yep. Let me go through the process...

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You sell the book.

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About six weeks to three months later, you get the 'editorial letter' asking for all the big changes the editorwants to see.

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Your book is not completely accepted until those are completed. Once they are completed and the editor is happy, the novel is accepted and moved into production.

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Now you do a bunch of 'nitpicky' edits as the editor and assistant and finally copy editor look for logic flaws, inconsistant language, etc.

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Finally, you do page proofs to check for typos. Meanwhile, they assign the cover art to an artist, and do page design.

speckledorf

There are several agents who blog and often mention what they are looking for.

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Yeah there are, but remember....these are individual opinions even when presented as 'everybody wants this'.

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Sprinkle a few grains of salt on these posts.

unicorn

Is there a time limit placed on the changes?

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There sure is and if you don' t meet it, your book may end up coming out a year late and your publisher will be VERY unhappy with you.

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They schedule advertising etc for a specific release date.

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Well, I hope this has helped.

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The main thing in todays complex publishing world is 'be a good consumer' and 'ask questions'.

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Always check any agent or publisher with preditors and editors. ALWAYS.

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And if you're not sure of something, ask.

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I'll post the transcripts in the usual place: Writing Craft Forum Transcripts.

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Do join us tomorrow for our casual chat!

charie'

Are the editors on that site 'preditors' as well?

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They list publishers, agents, and contests, charie.

redwagon

I can't stop humming 'Mary had a little lamb...' : )

Mary Rosenblum

hey, two so far. The last yearling is due this week and has a nice udder on her.

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See you all Wednesday!

 

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